It can easily be compared to another outlandish account of the repeats – mentioned in the previous part when deceasing Igor Kipnis’ version on the Harpsichord. The Classic Review was launched in 2018 for classical music lovers around the globe. ... opinions swirl most furiously is the “keyboard exercise” known to posterity as the Goldberg Variations, first published in 1741. 15 is the highlight of the performance). No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. I have Gould's recordings of the Goldberg Variations, as well as the French Suites, and I enjoy both. In some variations, you sometimes feel as if you are in the midst of a lullaby. A companion DVD accompanies the album and contains video liner notes with Denk demonstrating passages on the piano as he explains certain details of the iconic piece. A magnanimous list member sent me Christiane Jaccottet's recording on PILZ/Vienna Master Series. 7) and a true cantabile playing (Var. Rezension aus dem Vereinigten Königreich vom 13. It sometimes becomes available on YouTube, if you’re curious. Alexandre Tharaud’s version is arguably the most impressive, moving and fascinating version since Perahia and Schiff’s – A truly unique voice in a crowded field of hundreds of recordings, on both harpsichord and piano. However, you can’t deny a great artist is at work, and Kempff’s unmistakable sound and authority are clearly projected in this recording. Verifizierter Kauf. It’s that good. Mehr als 850.000 CDs, DVDs, Vinyls, LPs, Games & Technikartikel seit 1991 bei Grooves.land/Playthek kaufen, Kostenlose Lieferung goldberg variations best recording. The only drawback is the rather dry recording, but with such high an artistic quality you soon forget it. Another name you might want to try is Angela Hewitt, seeing as she's so prominent in Bach performance, but I don't know anything about harpsichord … Read more. About. As with any piece of art, it’s difficult to recommend only a single “best version” of the Goldberg Variations. After all, there have been so many great recordings of the work already -- Landowska, Kempff, Gould, Pinnock, and Leonhardt, to name a few -- that surely no one needs another recording of the Goldberg.Actually, everyone needs another recording of the Goldbergs provided that it's a recording … This is an impressive document, and the mono recording is rather good for its age. Battle of the Bachs: who plays the Goldberg Variations best? What did you think about our recommendation for Harpsichord and Piano? 15 & 25), or the little humorous touches Denk incorporates, such as in Var. Again, this is one of the most impressive Goldberg Variations in the current catalog, and even if you are looking for a more “jubilance” experience, Tharaud is too talented to ignore. Ever: Various Artists: Relationships. This version stands out due to the consistency of its approach. In 2015 Hewitt rerecorded the piece for Hyperion. There is a sense of direction, moving from the outgoing first variations to the more reflective late ones. Still, you can’t deny the charm and excitement this 1955 recording project. This period also saw a recording by Maria Yudina (Melodia, 1968) – a fascinating document and a worth-while listening if you’d like to get to know this unique artist, often referred to as “the Russian Glenn Gould”. The celebrated pianist Lang Lang has realized a lifelong dream by recording Johann Sebastian Bach’s monumental keyboard work, the Goldberg Variations, often described as “a musical Everest”. This was mainly because of the insistence of the label to keep a budget price, hiring lesser-known artists from Eastern Europe and Asia and sacrificing artwork and high-cost promotional practices. Today’s talents will be tomorrow’s legends. There is a very attractive rhythmic consistency, which perhaps somewhat paradoxically makes the quieter, slower variations (Such as Var. However, I am absolutely in love with all of the Bach recordings of Perahia that I have thus far listened to (Goldberg Variations, English Suites Nos. Another version for courageous listeners is by Vladimir Feltsman, who’s extravagant account takes one too many steps of making the variations “interesting” at any cost. 4 and elsewhere. This may be one reason that Pi-hsien Chen’s impressive version (1988) hasn’t been given a proper attention. Some of the ornaments are missing in historical awareness, with trills played before the bit. It’s one of those releases that requires patience, and it’s worthy of yours. The recording quality, though tolerable, is not ideal. It should be in every collection for a lifetime of enjoyment. Having said that, she is not the most imaginative in repeats (though they are interesting), her left hand is sometimes too prominent and heavy handled, and the recording quality is not at the same standard as others. Many of Bach’s scholars and performers have pointed out additional patterns in the 30 variations, as styles (Kirkpatrick), grouping by mood (Perahia) and more. It contains a vast amount of stylistic, emotional and technical material in a length and amount like hardly any other Bach keyboard music. Buy CD or download online. Bach’s Goldberg Variations for close to three decades, but it was only this year that he felt confident enough to make a recording … Also from the same period, we have some unfortunate version by a great artist that is clearly out of his element, even on his second attempt at the piece. The Goldberg Variations (1955 Recording), a classical music Album by Glenn Gould. A worthy listening, then, not one of the best. Subscribe to out newsletter and be the first to know when the final part is published. Bach* - Glenn Gould - Goldberg Variations BWV 988 (1981 Digital Recording) ‎ (CD, RE, RM) Sony Classical , Sony Classical , Sony Classical SMK 52 619, SMK 52619, 01-052619-10 Unfortunately, there is no single definitive version of the Goldberg Variations as played by Tureck, as each has its pros and cons. Evgeny Koroliov starts the Goldberg Variations in a rather dull manner, but the performance really takes off in the first half of the set. Never excessive, it’s a simplified playing that manages to move the listener with its purity. It’s a brilliant idea and that is brilliantly executed, but unfortunately, there is little to be persuaded by in the 70 minutes of music that proceeds it. It is a true collaboration music and movement in which musicians and dancers are choreographed to Alexander Sitkovetsky's arrangement of the piece for string … The celebrated pianist Lang Lang has realized a lifelong dream by recording Johann Sebastian Bach’s monumental keyboard work, the Goldberg Variations, often described as “a … This and other “opened cases” result in a fascinating difference of approaches and styles of the recordings of the piece, with virtually no one totally resembling the other. Andrew Rangell newly re-released version of the Goldberg Variations for the Steinway & Sons label is so idiosyncratic, almost outrageous, that you have to listen to it. Disc 1. Goldberg, the legend goes, was housed at the Kaiserling residence and traveled with him. 517479 2; … And it makes a task of choosing a recommended recording very difficult. 9, “L’Addio” – Antonini, Editor’s Choice: The Best New Classical Music Albums, February 2021, Bach Goldberg Variations – The Best Recordings – Part 2 – Harpsichord Versions, Study: Millennials, Investments and classical music, Third Attempt – Bach 6 Cello Suites By Yo-Yo Ma, Review: Bach – “Soli Deo Gloria” – Cantatas 21,76 – Collegium Vocale Gent, Ricercar Consort, Pierlot, Review: Trio Zeliha plays Mendelssohn, Shostakovich, Arensky, Review: Behzod Abduraimov Plays Debussy, Chopin Mussorgsky, Review: Charles Ives – Complete Symphonies – LAPO, Dudamel, Review: “labyrinth” – David Greilsammer, Piano, Review: Hammerschmidt – “Ach Jesus Stirbt” – Vox Luminis, Meunier, Read of the latest news in classical music, Looking for the best version of a classical music piece? Genius. The ones that are available, show Nikolayeva as mesmerizing romantic Bach player, which, although not to all tastes, can be utterly enjoyable. Levit also finds the right balance between a full continuous rhythm and a small breathing space for each variation. Some pianists have handled these difficulties masterfully, while others were less successful. View credits, reviews, tracks and shop for the 2004 CD release of The Goldberg Variations - 1955 Recording on Discogs. However, she decides for some reason to repeat only the first part of the Aria and all of the variations and there is a hint of anachronism when Tipo doubles the basses, sounding like a Busoni adaptation of the piece. The Classic Review was launched in 2018 for classical music lovers around the globe. When receiving the invitation, Bach thought a series of variations on a theme will have a soothing effect on the sleepless count. Parker Ramsay is an early-music harpist and organist; surely his familiarity with keyboards was crucial as he arranged the Goldberg Variations for solo harp.His new recording, released by Kings … As covered in the first part of this guide, Bach left very little instructions regarding tempo and phrasing in the score, so they are left to the discretion of the performer. The main downside of this release is a little lack of spontaneity; Everything sounds well planned and executed, even when Hewitt breaks from the original written text. Goldberg Variations; BWV 988: Aria; Goldberg Variations; BWV 988: Variation 1 a … The aria is then followed by 30 variations, based on the base line (and not mainly on the melody, which correlates with a common baroque “Chaconne” practice). On 14th September 2020, Lang Lang will realise a lifelong dream of recording Bach’s monumental Goldberg Variations. It will maybe make you rattled, smile or upset, but it’s certainly never dull. The same applies to the added ornaments in repeats – hear how well suited and appropriate they sound on var. It’s better to ignore the “Cinderella” tale of Simone Dinnerstein’s release – Referring to a self-made recording that was picked up by a major label – So we can listen to the performance with fresh ears. She recorded much more Bach in the past two decades, and in some of these releases, she is most definitely more impressive. Traducir reseña a Español. Verified Purchase. The recording industry of the 20th century saw stars become legends and albums become icons of popular culture. Review: Bach – Well-Tempered Clavier, Book II (Excerpts) – Piotr Anderszewski, Review: Weinberg – Violin Concerto, Sonata for Two Violins – Gidon Kremer, Review: “Contralto” – Nathalie Stutzmann, Orfeo 55, Review: Haydn – Complete Symphonies, Vol. The main downside of this release is a little lack of spontaneity; … Many of Bach’s scholars and performers have pointed out additional patterns in the 30 variat… The pianist recorded the piece in a short period of time and then edited it in the studio for few months. She keeps the tempo tight up except for some dramatic, strategically planned pauses like before the “black pearl” variation. A una persona le ha parecido esto útil. But let us talk about the big grand piano in the room – Glenn Gould.Gould’s 1955 mono recording of the variations brought it back to fashion, being a huge commercial success and brought fame to the Canadian which lasted till the end of his short life. The transition from the masterfully played 25th variation to the 26th can only be described as a sense of resurrection. But some do manage to stand out from the crowd. Sony Music’s latest remastering from 2013 sounds the best for my ears, and it includes Gould’s later take on the piece (1981). Tatiana Nikolaiva’s first recorded the piece in the late 70’s for the Melodia label, one of few live and studio recordings by this great Russian artist. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. “The best reason to hate Bach’s Goldberg Variations,” writes pianist Jeremy Denk, “is that everybody loves them.” As part of Denk’s iconoclastic challenge to this universal love, he cites another reason: “everyone asks you all the time which of the two Glenn Gould recordings you prefer.” 15), or his overall rhythmic stiffness (Val. Listening to Beatrice Rana’s quite recent release, the word “refreshing” is the first to come to mind. Part 3 will be published in the next few weeks and will choose the best available versions of the Goldberg Variations played on the Piano. Bach's Goldberg Variations. Some other live performances exist out there, and a Truck fan should choose his or her favorite after a thorough listening. The weather changes. - Discs of the Goldbergs just seem to float down from the sky into my hands. Completed in a total of only four days and released in January 1956, Glenn Gould’s début recording of Bach’s Goldberg Variations is without doubt one of the most significant and successful classical recordings in the history of the gramophone record. In general, it’s a well recorded, serious version that has less of a chance to jell into memory. There are some hints of 19th-century romanticism that can be heard in other early Bach studio recordings, and consistent tempo choices that make the performance flow from start to finish. Bach, J S: Goldberg Variations, BWV988. Lars Vogt Ondine release (2015) is reserved, unassuming (in a good sense) and very pleasant. Shop Bach: The Goldberg Variations, 1955 recording [CD] at Best Buy. It is clear that Bach wrote the piece specifically for a two-manual (or 2 keyboards) harpsichord. 1, … This review compares the sonic quality and technical aspects of three recordings, to help sift through what is available. October 17, 2020 October 17, 2020 Uncategorized Leave a comment. On first listening, it’s rather surprising how “modern” this performance sounds. All of the original recording’s qualities are here, and it is still a well-planned performance to a fault, but there are some extra pronouncement of the musical ideas and a better recording. See below the previous parts (Part I, Part II). 7 th recording of Goldberg Variations BWV 988 by G. Gould. harpsichord: Alan Curtis (harpsichordist, musicologist, and conductor) recording of: Goldberg-Variationen, BWV 988: Aria: Related works Goldberg-Variationen, BWV 988: Aria. 9, “L’Addio” – Antonini, Editor’s Choice: The Best New Classical Music Albums, February 2021, Bach Goldberg Variations – The Best Recordings – Part I, Bach Goldberg Variations – The Best Recordings – Part 2 – Harpsichord Versions, sign up for our classical music newsletter, Eric Lu is the Winner of Leeds Piano Competition 2018, New Album Review: Zefiro Performs Bach Brandenburg Concertos, Review: Bach – “Soli Deo Gloria” – Cantatas 21,76 – Collegium Vocale Gent, Ricercar Consort, Pierlot, Review: Trio Zeliha plays Mendelssohn, Shostakovich, Arensky, Review: Behzod Abduraimov Plays Debussy, Chopin Mussorgsky, Review: Charles Ives – Complete Symphonies – LAPO, Dudamel, Review: “labyrinth” – David Greilsammer, Piano, Review: Hammerschmidt – “Ach Jesus Stirbt” – Vox Luminis, Meunier, Read of the latest news in classical music, Looking for the best version of a classical music piece? Although he is not ideally recorded, his handling of repeats will never cease to put a smile on your face (It may also allow you to ignore the mediocre recording quality and instrument). Bach: Goldberg Variations (1981 Digital Recording) Released: 1982. Gavrilov is a truly fascinating pianist, using all of the tools of his disposals to illuminate this masterpiece. Maybe this: there is a sense of exploration, traveling through all the intricacies of the human experience. The myth about the sleepless nights is dubious according to late 20th century studies – The first bio of the composer was written 60 years after the composer’s death, and Goldberg was 14 when the piece was originally published. Perahia continued to record many other Bach records for Sony, and then to Deutsche Grammophon, but he has never done better. It’s most definitely a different voice among the latest versions, and even if not one of the absolute best, it’s highly recommendable. All rights reserved. Chinese pianist Lang Lang may have been playing J.S. There is too much octave doubling, registers changes and non-legato, Gould-like phrasing, though without the Canadian mastermind behind it. Regrettably, his handling of the repeats is sometimes intrusive, and the performance loses the momentum in the second half. Compared to other versions, Tharaud is less inclined to walk the extra mile to emphasize some internal jokes and humor, and it’s indeed a very “serious” version. Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. From an interpretative standpoint you can argue against his decision to incorporate too much of pianissimo to an almost inaudible effect (Val. He is a judged pianist, assured yet humble. Dulani Kulasinghe. Contrary to other works by Bach, the Goldberg Variations was published during the composer’s lifetime (1741), with his own supervision and his friend and publisher, Balthasar Schmid. If you are willing to pay the price, that is. The sustaining pedal is almost entirely dispensed with, using the acoustic of the hall as a tool for a cantabile sound. It’s a very energetic, almost jazzy version, but MacGregor sometimes can’t technically keep up with her own tempo choices. Luckily, the latest evolution of the classical music streaming services has brought it back to the catalog. The result is fascinating, still steers controversies and demands to be heard. There is really very little to fault with this performance; Levit has the disadvantage of coming into the light well after so many distinguished releases, that it’s hard for him to stand out from the crowd. Get our periodic classical music newsletter with our recent reviews, news and beginners guides. If what you are looking for is improvisatory, heavily ornamented Bach, look no further than Andrea Bacchetti (2012). 7: Bach: The Goldberg Variations: Goldberg Variations BWV 988: Glenn Gould (Piano): Sony: Apr 22 - May 29, 1981: CD / TT: 51:14: Recorded at 30 th Street Studio, New York City, NY, USA. First It was Rudolf Serkin, who laid out a flamboyant and rushed performance for a piano roll company, later reconstructed as records and CDs. Lori Sims presents a “live” version in all sense of the word; There is a lot of spontaneity, extra excitement, obvious audience noise and, let’s admit it, some missteps that would have been corrected in studio conditions. His Bach remains a bit enigmatic, for better and for worse, and his stapled sing-along may be a big distractor from the performance. Warner Classics: 9029588018. The Goldberg Variations is based on a wonderful aria in an A/B structure, taken from the second Anna Magdalena notebook. Truck obviously looks at the Goldberg Variations as a mammoth of a musical piece, in the scale of the St. Mathew Passion or the B Minor Mass. In a 1981 interview, Gould reflected on the studio's situation: "I think the objections [Columbia] … Joanna MacGregor restless version has one really memorable moment – The Aria De Capo at the end, where the last variation continues to echo, breaking into what should be a clean start of the last chapter. Genius. The approach here is different, almost ideological in the consistency of rhythm from first note to the last. Alexis Weissenberg (1981, EMI-Warner) plays the Goldberg Variations in what can only be described as unequipped to handle Bach’s style, with changes of tempos, awkward ornamentation, exaggerated dynamic and heavy-handed sound. Rosalyn Turuck, another great Bach pioneer, recorded the Goldberg Variations many times over, on piano and Harpsichord, live and in the studio. It’s now sold separately by Sony and can be appreciated solely on its own. 7). There are some oddities Schiff explored in these years, including changes in registers that sound a bit comical (Var. Maria Tipo’s take on the variations from the late 80’s (EMI-Warner) is commendable, with some nice voice coloring and intricate pedal work. J.S. There’s a certain heaviness in her playing, along with a didactic directness, making us aware of every interpretational decision and ornamentation (The last of which she was a true academic expert). The entire performance seems rushed, not giving the music time to breath or make an impression by itself (Gould’s decision not to play a single repeat adds to this). The increased maturity of his interpretation over the 1992 recording is apparent in the richer emotional palette, improvisatory presentation, and variety of tempos. I've owned it on vinyl for years and decided to double up with a CD. A later 80’s recording on the VAI label probably finds her at her absolute best, relatively free and flowing, but she is let down by an amateurish recording made on a private concert. There is also some emotional intensity when called for, such as in variation 21, and tender flexibility in the “black pearl” variation, No. He doesn’t try to imitate the Harpsichord and his account is pianistic in the best sense. Her two versions of the Goldbergs I find somewhat cold and indifferent. Get periodic updates about new classical music albums reviews, news and guides.We respect your privacy. At least one record-company executive questioned Gould's choice of the then-obscure Goldberg Variations for his recorded debut. Is there a way of getting to a “best recording” choice? 7: Bach: The Goldberg Variations: Goldberg Variations BWV 988: Glenn Gould (Piano): Sony: Apr 22 - May 29, 1981: CD / TT: 51:14: Recorded at 30 th Street Studio, New York City, NY, USA. This is the end of part 1 of the ‘best of’ guide to Bach’s Goldberg Variations.Continue below to the next part, which chooses the best Harpsichord versions. One person found this helpful. I just bought Andras Schiff's recording of the Goldberg Variations the other day and I'm delighted (Also recommended as the best piano recording by BBC Radio 3). But on the piano, a crucial element is missing – the double keyboard instructions. There is a whole lot left for the discretion of the performer, as a matter of fact. Beatrice Rana (piano) Discussions: Goldberg Variations BWV 988 - played by Glenn Gould … Bach: Goldberg Variations [1955 Recording] LP (Vinyl, Jun-2014, Vinyl Passion) Levit has the sound world of Perahia when playing Bach – He will always opt for the singing line than the clarity of the contrapunct, so obsessively observed on some performances. Many will, others won’t. Glenn Gould: The Goldberg Variations The Complete Unreleased Recording Sessions is probably the most comprehensive special edition ever dedicated to a single classical music album. two keyboards) of the instrument, and on others the performer can double the notes by activating this mechanism on a suitable instrument, playing on one keyboard but operating both keyboards on the same time. You can never fault Jeremy Denk for his originality and clear-thinking, but what worked so well for the American pianist in other releases does not necessarily sounds fully formed here; The repeats are interesting, but some fluctuation of tempo, highly contrasted dynamics and 19th century-like pianistic style and plain rush on certain variations will not speak to all tastes. The availability of some of these recordings is somewhat problematic, so it was difficult to recommend the best version for Nokolaiva’s admirers. 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